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(The hair embroideries on pillowcases, as well as "Oubliette", were part of the "Pricked: Extreme Embroidery" exhibition at The Museum of Arts and Design in NYC.)
Believing that truth is often revealed in an intuitive, sentient manner, I choose content-appropriate, tactile materials, and seek to evoke an emotional, rather than intellectual, response to my work. Like the rings of a tree, hair records extreme conditions in humans: illness, stress, hormonal changes, etc.
The early series of bed pillows embroidered with my own hair (and the hair of those once close to me) disclose nocturnal revelations. The embroidered mouth is positioned where the dreamer’s mouth would be, but this position also suggests the mouth of the subconscious, whispering into the ear of the dreamer. The scale and materials are intimate: the process of embroidery creates an intricate vision, composed of threads as fragile as those that make up our dreams. “Dream.” and “Threat of Heavy Weather” feature an open mouth revealing what is normally kept hidden, a psychological maelstrom. “My Young Lover” uses the hair of an ex-boyfriend, threading each hair through the pillowcase so it appears to “grow” out of the pillow to cascade around the embroidered ear and across the pillow. “Ebb.” uses human eyelashes that protrude from the surface of the pillow.
Some work is embroidered on fabric that is stretched under convex glass in a Victorian oval frame to emphasize the relic-like nature of the pieces. The most recent work features hair with especially strong significance: there is a suite of objects made from the hair that was on my head during the gestation period when I was carrying my daughter, as well as work that gains potency from being sewn with the grey hair of many women.
The repetitive act of embroidery seems to be made for calming worry... trying to tie things down, sew them in, make them stay. Embroidering with hair possesses its own unique intensity: each barely perceptible stitch is like a rosary bead, marking a tiny but ardent prayer whispered over and over.
(The hair embroideries on pillowcases, as well as "Oubliette", were part of the "Pricked: Extreme Embroidery" exhibition at The Museum of Arts and Design in NYC.)
Believing that truth is often revealed in an intuitive, sentient manner, I choose content-appropriate, tactile materials, and seek to evoke an emotional, rather than intellectual, response to my work. Like the rings of a tree, hair records extreme conditions in humans: illness, stress, hormonal changes, etc.
The early series of bed pillows embroidered with my own hair (and the hair of those once close to me) disclose nocturnal revelations. The embroidered mouth is positioned where the dreamer’s mouth would be, but this position also suggests the mouth of the subconscious, whispering into the ear of the dreamer. The scale and materials are intimate: the process of embroidery creates an intricate vision, composed of threads as fragile as those that make up our dreams. “Dream.” and “Threat of Heavy Weather” feature an open mouth revealing what is normally kept hidden, a psychological maelstrom. “My Young Lover” uses the hair of an ex-boyfriend, threading each hair through the pillowcase so it appears to “grow” out of the pillow to cascade around the embroidered ear and across the pillow. “Ebb.” uses human eyelashes that protrude from the surface of the pillow.
Some work is embroidered on fabric that is stretched under convex glass in a Victorian oval frame to emphasize the relic-like nature of the pieces. The most recent work features hair with especially strong significance: there is a suite of objects made from the hair that was on my head during the gestation period when I was carrying my daughter, as well as work that gains potency from being sewn with the grey hair of many women.
The repetitive act of embroidery seems to be made for calming worry... trying to tie things down, sew them in, make them stay. Embroidering with hair possesses its own unique intensity: each barely perceptible stitch is like a rosary bead, marking a tiny but ardent prayer whispered over and over.
Une Femme D'Un Certain Âge (embroidery detail)
Une Femme D'Un Certain Âge
2014, 33 x 22", grey hair of many women embroidered on black cotton.
Une Femme D'Un Certain Âge (detail)
grey hair of many women embroidered on fabric
Rupture
2018, crowdsourced grey hair from those who have experienced profound loss, hand embroidered on black cotton, acrylic, 33 x 23”
Rupture (detail)
2018, crowdsourced grey hair from people who have experienced profound loss hand embroidered on cotton, acrylic, 33 x 23".
Decades of Dreaming of You
2012, hair embroidery on mother's hair from gestation period, threads from unraveled pillowcase, 3 x 5 x 5". Embroidered text reads, "decades of dreaming of you...". Nina Fuentes collection, Miami.
Decades of Dreaming of You (egg detail)
egg made from unraveled pillowcase used during artist's gestation period
Decades of Dreaming of You (embroidery detail)
Beauty of Your Breathing
2013, mother's hair from gestation period embroidered on found dress, velvet, 20 x 25". Collection of the Artist.
Your Fragility....
2010, mother's hair from gestation period embroidered on child's garment, velvet, 14 x 15"
Your Fragility... (detail)
Dream.
2001, human hair embroidery on pillowcase, pillow, 20 x 30 x 10"
Dream. (embroidery detail)
Threat of Heavy Weather
2003, human hair embroidery on pillowcase, pillow, 20 x 30 x 10"
Threat of Heavy Weather (detail)
Threat of Heavy Weather (embroidery detail)
human hair embroidery
2005, human hair embroidery with individual strands threaded through the pillowcase, pillow, 20 x 30 x 10". My boyfriend gave me his hair in a box, claiming that I Ioved his hair more than I loved him.
My Young Lover (detail)
embroidered ear, and individual hairs threaded through the pillowcase
Ebb.
human hair embroidery on pillowcase, human eyelashes, 20 x 30 x 10"
Ebb. (embroidery detail)
Oubliette
2006, human hair embroidery on cotton, convex glass, frame, 7 x 5" framed
Oubliette (detail)
Oubliette II
2008, human hair embroidery on found linen doily, hand-dyed velvet, convex glass, frame, 9 x 9", 13 x 13" framed. The embroidered area is 2 x 3 ".
Oubliette II (embroidery detail)
Deep, Far
human hair embroidery and human eyelashes on found doily, dyed velvet, convex glass, frame, 9 x 12" oval framed. Collection of Isabelle Bellis, NYC
Feral
2012, human hair embroidery on hair, velvet, convex glass, frame, 3" x 3", 11" x 11" framed.
Feral (detail)
Sauvage
2013, human hair embroidery on hair, velvet, 7 x 4" piece, 12 x 9" framed
Sauvage (embroidery detail)
Hag
2013, embroidery on human hair, velvet, convex glass, frame, 3 x 3", 14 x 14" exterior frame dimensions
Hag (embroidery detail)
Unruly
2013, embroidery on human hair, velvet, convex glass, frame, 3 x 3", 12 x 12" framed
"Grace & Shame" installation, Frost Art Museum
31Grand Gallery installation
Belger Art Center installation
Installation for "Embodiment" at Greenhill Center for the Arts
"Stitch" Installation at Greater Reston Arts Center